Hieroglyphics, on the one hand, were an
attempt at a rudimentary alphabet (of the
metaphysical sort) while true
petroglyphs were more “symbiont” in
nature.
The cosmology of nature (the study of
the origin, processes and structure of
the universe) is a marvelous philosophy
that enlightens and guides souls
through levels which represent the
infinite and the finite at the same time.
Symbologies are a cursive form of
cosmology that represents wholeness.
Life has a unique cosmology of its own
that exists for the individual as well as
for the cosmos that ripples out to extend
beyond the earth plane and even further
still. Symbology represents the state of
man and the state of the universe in
congruent terms that weave together
much like the fitting together of two,
complete wholes.
Cosmology in this sense is used to
define a rationale that is conciliatory as
well as Divine. That is to mean, that
while some people will see symbology
as an archaic way to express what can
be said in words symbology,
hieroglyphs and petroglyphs go way
beyond that level of simple speech to
represent a human being as individual,
a soul, and a piece of the Divine
universe. It is likely that primeval
symbology was a way to stamp one’s
destiny on the universe in a very
rudimentary way.
In petroglyph form in ancient times, the
pictographs were a way to express the
daily experience combined with
oneness in nature as the Divine and as
way to say “I am here”. The symbology
of the Myth of Modern Man is a holistic
approach to express the numerous
forms of human experience of mankind
at this point in the time continuum
whether people are unified, live in the
moment, and experience the people and
circumstances that life has to offer or
while they try to reinvent themselves and
project their internal experience outward
to build a world of their own.
Some symbologies are “riddle-like” and
leave the viewer with a puzzling array of
symbols and magic that encourage
them to internalize the process and
“figure it out” for themselves. Figuring
out symbologies is a process of
internalizing, rationalizing and applying a
value scale as to the use or disuse of
the information. Symbologies in the
form of secret sects and societies are
often linked in cosmologic terms. But
this is an unwise use of a loftier ideal.
Secret societies use symbols which will
be known only to their members in order
to exclude others. These symbols
represent ideals for their followers to
remember upon viewing in order to stay
on track and recall foundational ideals.
Neither of these uses are the purpose of
the symbols of the Myth of Modern Man.
These symbols are more of a petroglyph
nature that allow an individual to have a
reaction upon viewing the images that
does not need to be “figured out”. They
are experienced and can stand alone.
They are delightful surprises that not
only communicate that modern man is
here but also that the human race still
has a place in cosmology.
The Myth of Modern Man symbols
communicate a particular human
experience occurring on the earth
plane in this time continuum and they
go beyond the context of the laws of
logic and the written, verbal, or
electronically processed storytelling.
This symbology is meant to be a
universal code for all people on all
levels of existence to understand their
place as an individual within a society,
a community, a member of the human
race, a participant in the afterlife, a
piece of the universe, and beyond all
that is commonly known all the way
back to Absorption. They communicate
that human beings are unified as one
global, human race and that “we are
here”.
It is likely that the Myth of Modern Man
symbols will be a footprint to future
societies of people who will visit the
planet and study the archeological
remains of this society. The modern
petroglyphs will be a unique qualifier
about the experience of mankind at this
point in the time continuum.
Mankind is not the idle working of
evolutionary chaos as some scholars
believe. Humankind is a Divinely
Inspired “event” in time which is both
an opportunity and an experiment for
the potential of human beings as living,
breathing, soul vehicles to work out
destiny and karma. That is way to say,
human beings are being tested and
refined as a life form capable of
longevity on the earth plane for a
particular length of time to work out
karma in this particular venue.
It is with remorse that it is said that
humankind is failing and probably will
not be the chosen vehicle for this type
of endeavor due to the fact that greed,
competition, lovelessness, cruelty, and
the quest for power has overtaken any
rational, human potential for the human
race on the earth plane.
On practical terms it could be said that
current society is like a “runaway train”.
Since the societal process of
descension to lower values has started
en masse, no amount of individual
bolts Out of the Blue (1) or Trials by
Fire (2) will reverse this process. The
human race will Rise from the Ashes
(3) of destruction only to survive in an
alternate form of chaos. Human
beings were “wired” from an
evolutionary standpoint to have choice.
And human beings have chosen not to
overcome base, selfish desires and
internal, neurotic, self imposed traps in
thinking that cause them to seek
money, limelight and ego glorification
over more positive, human qualities
that could place them as holistic
beings that could take human evolution
to the next level.
The mythology and symbology of the
Myth of Modern Man is a footprint, an
emotional language, and a form of
simpatico that allow people to find
solace at the final point of descension
to annihilation as a race of people.
While mere words on a page and
symbols cannot salve an miserable,
disillusioning and disorienting
process, it is likely that humankind will
fall and what will be left Rising from the
Ashes (4) will be archaeological
remains and a few symbologies
representing this time continuum. In
the not so distant future, it is a way for
the human race to say “we were here.”
All references from Universal World Myth, the
Miraclist.

Copyright the Miraclist 2006. All Rights Reserved, text and graphics.
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Symbology: A Mythic Shot in the Dark
Symbologies,
hieroglyphics and
petroglyphs are all
pictographs of
particular, unique
origin which allow
the viewer the
delightful surprise of
emotional pathos in
viewing the image.
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